Sunday 27 April 2014

The Rains of Castamere






 'And who are you?' the proud lord said
'That I must bow so low.
 Only a cat of a different coat
That's all the truth I know
In a coat of gold, or a coat of red
A lion still has claws
And mine are long and sharp my lord
As long and sharp as yours.'
And so he spoke, and so he spoke
That lord of Castamere
But now the rains weep o'er his hall
With no one there to hear
Yes now the rains weep o'er his hall
And not a soul to hear. 

                                             




The Rains of Castamere tells the story of Lord Reyne's rebellion against The Lannisters, overlords of the region known as the Westerlands.

House Reyne had been promised a marriage into the Lannister family, only for it to be withdrawn and offered to the Freys at the last minute [no doubt due to political machinations]. This knocked Reyne's nose out of joint, prompting the house to take up arms. 

The red lion of Reyne pitted against the gold of the Lannisters. Two cats each with long, sharp claws.

After initially starting off as the favourite in the conflict due to the weakness of the Lannister leader Tytos, the Reynes' early victories were turned on their head by Tytos' son Tywin Lannister. The golden lion's forces besieged the Reynes' castle, forced home the advantage and destroyed the rebels. 

No Reynes survived. The red lion erased forever more.

It's unclear whether the exchange in the poem is supposed to have taken place or whether it's merely a metaphor intended to romanticise the feud between the two houses. Ultimately that distinction is irrelevant. What matters is the hauntingly powerful content. How it illustrates the Game of Thrones world; what it tells us about our society and how we should treat others.

We should stop and ponder the poem any time we get the urge to send our food back when we're in restaurants because the cuisine might be slightly different to what we expected. In that dynamic the waiters have the power, they'll spit in your lasagne; they'll rub your asparagus up their arse cracks; they'll gargle your soup. It's not worth it. If I found broken glass in my food and the waiter came over to ask how i'm finding my meal i'd crunch 'very good thanks, nice' through my glass-shard smile and bleeding gums. I'd raise a quivering thumbs up before passing out from the pain as soon as the restauranteur faded back into the smoke of kitchens.

You must always think of the consequences of your actions when faced with those who can hurt you.

Lord Reyne didn't. In that scenario Lord Reyne would be an over-opinionated Yorkshireman tutting, clucking, and checking his watch every minute his bangers and mash were taking to cook. When the meal was finally presented he'd roll his eyes with indignant dismissal. He'd send the dish back because the mash potato isn't white enough. Once in the kitchens the waiters and chefs would allow the pet cat to roll around in the food before bringing it back out. The Yorkshireman would gulp it down and try to get out of paying.

The Yorkshireman, like so many from that wretched region, displayed arrogance, hubris and ignorance....but crucially, he lacked a self-awareness of the situation and paid dearly by digesting a rancid compound of sausage, potato, cat hair and fleas.

'And who are you?...That I must bow so low'

 This is no way to talk to the richest family in Westeros. It strikes of a haughty attitude, it's the kind of language that creates enemies and the last kind of enemy you want in Game of Thrones is one that is exceedingly rich; in charge of your local area and is murderous and unscrupluous in securing and maintaining power.

There is nothing to be gained by acting like this. Insult your boss at work you will be sacked. If you insult a police officer you will be arrested. If you insult your doctor it may be the difference between obtaining life-saving treatment or sub-par, death-bringing treatment. Yet so many in society bark at their peers, put people's backs up, bespoil their image for no real reason other to sate their own narcissism.

This rule isn't just for situations where you are the lesser in the relationship either. 

It rings true for all situations, as all men are the potential architects of your downfall. The Roman emperor Caligula would mock a palace guard named Cassius on a daily basis. Cassius was a seasoned Roman war-hero but apparently suffered from a high pitched voice. Whenever Cassius entered the room or walked nearby, Caligula would mock and hurl insults:

'Ooo-eee!'

'Stop inhaling party balloons you silly goose!'

Are some of the insults Caligula might have shouted. The point is he did shout stuff like this and he apparently made Cassius kiss his hand in an offensive manner too. 

One day Cassius walked up to Caligula as the Roman Emperor was addressing an acting troupe ahead of a theatrical meeting; the soldier brandished a blade and stabbed Caligula 30 times in the chest until the leader of Rome dropped to the ground and died in a pool of blood.

So much for Caligula.

Oh how we see such parallels with the demise of Joffrey. The TV show hasn't definitively announced who poisoned the pixie-faced shit yet but it will doubtless be somebody he has upset by his actions or words. 

Tywin Lannister does not make this short-sighted mistake of needlessly offending. 

Think back to every scene of his you have witnessed, you will struggle to find one where he outwardly and obviously insults the person he is speaking to [his children aside].

Indeed in 'The Lion and The Rose', Tywin enters into a dialogue with Lord Oberyn of Dorne and despite the Dornish prince accusing Tywin of sanctioning rape, child-murder, and generally being impoverished, Tywin resists the urge to respond in kind - instead, he opts to make light of gout before wishing the Southerners a pleasant stay.

Might then have House Reyne succeeded in Game of Thrones had they concealed their intentions, acted with a shred of subtlety and bided their time? Alas they did not. And now the poem brings us to the modern day:

'Now the rains weep o'er his hall and not a soul to hear'

Lord Reyne's hubris has resulted in his hall crumbling in wind-swept isolation. It is nowt more than a monument of rubble. The rain pours onto the hall but there is nobody left inside this palace to hear the beating of the water against the glass.

Might you then enter that hall of Castamere? 

What would you find? 

At first glance you'd note that the floor would be covered in brick that has fallen from the walls. It would break under the placing pressure of your feet. Your footsteps would echo throughout the dusty room, bringing momentary life to this dead abode. The few rays of light that seep through the stained glass would light up nothing but passing shadows on the wall.

This is the hall of those who would blindly dish out offence without contemplating consequence.

Avoid this hall at all costs. Do not so cheaply create enemies and,well, if you heed this warning you might just go on to hear the rains beat o'er your own hall for many more nights to come.



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Tuesday 22 April 2014

Beginning



'All men need a distraction from the mundanity of every day life for else they would go mad.'




We should take the premise that all TV shows, as depositories of creativity and expression, must be categorised as art. If you disagree with that and think only painting and say, i dunno, sculpture are art then you're wrong, sorry. And if art is an alcoholic cocktail, for too long have I dwelt in a TGI Fridays bar of acceptability and mediocrity.

When you go to TGIF and you peruse the cocktail menu, each concoction you note will comprise of ingredients you like and those that you dislike. 'The Poo Choo'....amaretto and vanilla [yes, yes, keep talking]....mixed with Sprite and crab paste [oh bollocks]. 'The Wrong'un'....Gin [ok]....blended with cherry panda pop [good God].

And up to this point in my life, most forms of art have been a bit like this. No painting, book, statue, song has ever, really, consumed me as perhaps true art should. There's never been a TV show or a novel that I've deemed as perfect. Something that I could describe as being exactly what I've been looking for. Nothing, until Game of Thrones came along.

Yes I know, it's sad to speak of it like that. It's just a TV show, blah blah blah. But I bloody love it. 

If Game of Thrones were a cocktail on the TGIF menu it would be made up of everything that I really like.......Knob Creek bourbon, olive oil, terry's chocolate orange, garlic, seafood sauce. Alright, that would be absolutely disgusting as a combination, but you get the point I'm making here.

Firstly it looks sensational. 

In crisp, high definition the audience is transported from the azure blue skies and orange deserts of Essos, licked by the flickering rays of a scorching sun; to the snow carpeted tundra found north of the wall where the icy valleys, grey mountains and wintery forests nestle under clear night skies.

It's a truly beautiful show. 

My mates like The Wire. I could never get into it. If you spend your days dressing in work suits, commuting into town and sitting in an office surrounded by paperwork why then watch a show about people in work suits, sitting in an office, surrounded by paperwork? There is no beauty there. No mystique. No other.

The time period in which Game of Thrones is set looks a kaleidoscope of ancient history, the dark ages and the medieval era. As a student of history and somebody charmed with these worlds, the show taps in to something I hold a great deal of enthusiasm for.

The music is magnificent. From the moment the credits appear and the violin-infused theme fills the air, reverberating around your body you know you're watching something that will last the test of time and be spared the scorn of pretentious newspaper critics. And how about the atmospheric 'Rains of Castamere'? The Lannister theme, a musical symbol of impending strife. The soundtrack is  captivating.

Yet Lord of the Rings had stunning locations and beautiful music, so why then is Game of Thrones so much better [in my, ill-educated opinion].

The characters, simply put.

For the Tolkien [peace be upon him] model for characterisation appeals to our base hopes in the world. That there is good out there, that it will prevail over evil. We have been fed such narratives in fairy tales since we were nought but little shits being read stories by our parents. Or, if you're from a working class background like me, when we watched little shits be read stories by their parents in American films on TV. 

It's black and white, grey scares us. Don't be fooled into thinking I'm slagging Tolkien off, you know I'd never criticise a successful brummie, and secondly the man was outrageously intelligent, mere words on this blog couldn't do it justice. He taught himself to speak Anglo Saxon Olde English for God's sake.

But the characters in Game of Thrones aren't good, and they aren't evil like so many in Tolkien's novels. They're somewhere in between. That intrigues us. 

Is Ned Stark a good man? He's played by the ostensibly honourable Sean Bean, he is a man of tradition and family values. When he discovers Joffrey's parentage he humanely gives Cersei a chance to flee the capital. He would seem a Tolkien-esque bastion of honour. But here is a man who cheated on his wife, shagged a whore and begot John Snow. Here is a man who lied to the dying King Robert and altered his final deathbed will changing 'my son Joffrey' to 'my rightful heir'. 

Cersei is held up as an 'evil' character at first, but we see how dutiful a mother she is for her children. She frequently weeps for them. She invests everything for their well being. She would die for her children. The lines between what constitutes a good person and a bad person are blurred in Game of Thrones.

How can you hate the Lannisters when Tyrion is of that house? How can you love the Starks when the bumbling and frustrating Robb Stark is held aloft as their champion? Robert Baratheon was a fun loving cad. Stannis Baratheon is a puritan. The beautiful Daenerys exudes spiritual purity; she saves the goat women from a raping; she is intent on bringing down the Essos slave trade; she speaks to her soldiers as equals. But then again, she's got no qualms with burning the witch doctor alive and plans to invade Westeros - a move that would ignite war and cause mass suffering for thousands of innocents. Is she 'good'? Is she 'bad'?

Like real life, this is a world of conflicted individuals, not just at war with each other, but often at war with themselves. There are no 'goodies' or 'baddies'. Nuance rules. This is what separates Game of Thrones from its fantasy predecessors. 

Oscar Wilde famously said that there is no such thing as good or bad people, there are just those that are ugly and those that are charming. We can use this when watching Game of Thrones. If you are searching for a character that only acts with pure morals you will search for a long time. Ultimately whichever characters you opt to 'root' for must be those who entertain you most. Those that are the most charming.

What a show we have here then.

Throw into the mixer beautiful locations; high definition filming; sublime music and nuanced, conflicted characters that jump out of the screen, you have something special I believe.

Not everybody will agree. Some will see the show as being overrated and they will prefer the likes of Breaking Bad, The Wire maybe even The Walking Dead. Just as the man drinking The Poo Choo at TGIF might baulk at the lady next to him ordering a Wrong'un. It's all subjective.

But forget those pissed-up philistines. Let them wallow in their slow story lines. I'll be there waiting for next week's Game of Thrones come Sunday night and I hope you'll join me. [Not literally, you're not welcome in my house obviously].





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This blog will be my distraction from the mundanity of real life, to write about a show I take great enjoyment from. Whether one person reads this or one hundred will be immaterial, I've just been filled with such strong emotion after watching the show that I want to create something loosely linked to it. Something I can read back in years to come and either cringe my arse off at how bad this is and how I lacked self awareness, or I'll read back with a wry smile. Who knows.

I've not read the books after a Clash of Kings, so nothing written in here will be a spoiler past where the TV show is currently at. And I'm not sure whether to write about Game of Thrones with a comedy tinge, or by analysing using history, psychological and sociological themes, or even just do an episode review. I imagine it might become a mix of all three.
 
This has been the 'beginning'


Anyway, after writing all that I could do with a drink. So until next time.  







Game of Thrones blog entries to date:


The Rains of Castamere - http://gotrowett.blogspot.co.uk/2014/04/the-rains-of-castamere.html


Baelish, Working Class Hero - 
http://gotrowett.blogspot.co.uk/2014/05/baelish-working-class-hero.html


Misunderstood Masters -
http://gotrowett.blogspot.co.uk/2014/05/misunderstood-masters.html


The Beauty of Daario Naharis -
http://gotrowett.blogspot.co.uk/2014/05/the-beauty-of-daario-naharis.html